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This is one of many tales exploring the ‘international theme’ made famous by Henry James. As an American who had lived in Europe (and in England in particular) for many years, he very frequently put European characters in an American setting, and vice versa – exploring the manners, morals, and behaviour of one group on another.And with feet in both camps (as it were) he was able to create satirical sketches which offered accounts of each group showing their characteristics as seen by the other. In An International Episode for instance it is obvious that he contrasts the voluble, good-natured hospitality of the Americans with the cold and unfriendly way in which the Americans are treated by the English upper class on their stay in London.However, it has to be said that overall, this tale is marked by a sense of uncertainty in both its characterisation and construction – as if James was not quite sure how to handle the international theme at this relatively early stage. For instance, Mrs Westgate is introduced as a lightweight chatterbox, full of contradictory and repetitive soliloquies on the differences between American and European society. Yet when she visits London only a few months later she is a different character altogether, guarded and scheming in her ambition to outdo the English aristocrats. As she declares to her younger sister: ‘The policy I mean to follow is very deep’. And indeed, during the confrontation with the Duchess of Bayswater and her daughter Lady Pimlico, who arrive at their hotel determined to humiliate the two Yankees, she beats Lambeth’s mother into submission over the invitation to Branches castle.The constructional uncertainties are epitomised by the inclusion of characters such as Mr Westgate, Willy Woodley, and even Captain Littledale, who are introduced into the narrative as significant players – only to disappear, having made very little contribution to the story. They are cyphers whose only function is to move the story from one point to the next. As a result, the story lacks the structural cohesion and sense of thematic density which characteristic his tales at their best.

This is one of many tales exploring the ‘international theme’ made famous by Henry James. As an American who had lived in Europe (and in England in particular) for many years, he very frequently put European characters in an American setting, and vice versa – exploring the manners, morals, and behaviour of one group on another.And with feet in both camps (as it were) he was able to create satirical sketches which offered accounts of each group showing their characteristics as seen by the other. In An International Episode for instance it is obvious that he contrasts the voluble, good-natured hospitality of the Americans with the cold and unfriendly way in which the Americans are treated by the English upper class on their stay in London.However, it has to be said that overall, this tale is marked by a sense of uncertainty in both its characterisation and construction – as if James was not quite sure how to handle the international theme at this relatively early stage. For instance, Mrs Westgate is introduced as a lightweight chatterbox, full of contradictory and repetitive soliloquies on the differences between American and European society. Yet when she visits London only a few months later she is a different character altogether, guarded and scheming in her ambition to outdo the English aristocrats. As she declares to her younger sister: ‘The policy I mean to follow is very deep’. And indeed, during the confrontation with the Duchess of Bayswater and her daughter Lady Pimlico, who arrive at their hotel determined to humiliate the two Yankees, she beats Lambeth’s mother into submission over the invitation to Branches castle.The constructional uncertainties are epitomised by the inclusion of characters such as Mr Westgate, Willy Woodley, and even Captain Littledale, who are introduced into the narrative as significant players – only to disappear, having made very little contribution to the story. They are cyphers whose only function is to move the story from one point to the next. As a result, the story lacks the structural cohesion and sense of thematic density which characteristic his tales at their best.

Samuel Langhorne Clemens (November 30, 1835 — April 21, 1910), better known by the pen name Mark Twain, was an American humorist, satirist, writer, and lecturer. Twain is most noted for his novels Adventures of Huckleberry Finn, which has since been called the Great American Novel, and The Adventures of Tom Sawyer. He is also known for his quotations. During his lifetime, Clemens became a friend to presidents, artists, leading industrialists, and European royalty. Clemens enjoyed immense public popularity, and his keen wit and incisive satire earned him praise from both critics and peers. American author William Faulkner called Twain "the father of American literature." Other work of Mark Twain The Adventures of Huckleberry Finn (1885), The Adventures of Tom Sawyer (1876), Life On The Mississippi (1883), Roughing It (1872), A Connecticut Yankee in King Arthur's Court (1889), The $30,000 Bequest and other short stories (1906), Personal Recollections of Joan of Arc (1896), Tom Sawyer, Detective (1896), The War Prayer (1916), The Jumping Frog (1865)

Samuel Langhorne Clemens (November 30, 1835 — April 21, 1910), better known by the pen name Mark Twain, was an American humorist, satirist, writer, and lecturer. Twain is most noted for his novels Adventures of Huckleberry Finn, which has since been called the Great American Novel, and The Adventures of Tom Sawyer. He is also known for his quotations. During his lifetime, Clemens became a friend to presidents, artists, leading industrialists, and European royalty. Clemens enjoyed immense public popularity, and his keen wit and incisive satire earned him praise from both critics and peers. American author William Faulkner called Twain "the father of American literature." Other work of Mark Twain The Adventures of Huckleberry Finn (1885), The Adventures of Tom Sawyer (1876), Life On The Mississippi (1883), Roughing It (1872), A Connecticut Yankee in King Arthur's Court (1889), The $30,000 Bequest and other short stories (1906), Personal Recollections of Joan of Arc (1896), Tom Sawyer, Detective (1896), The War Prayer (1916), The Jumping Frog (1865)

An adventurer, who goes by the nickname "Burning Daylight", strikes it rich during the Alaskan Gold Rush. After he achieves wealth and success in the Klondike, he sets out towards 'the lower 48' (the continental U.S.) to find new challenges, but his money making abilities do not prepare him for the vicious cons and manipulation of Wall Street. He is soon cheated out of his entire fortune, but the 'hero' now has learned the lessons 'of the street', and fights to become a success again, with the knowledge that it takes a scoundrel to beat a scoundrel.

It was on the first day of the new year that the announcement was made, almost simultaneously from three observatories, that the motion of the planet Neptune, the outermost of all the planets that wheel about the sun, had become very erratic. Ogilvy had already called attention to a suspected retardation in its velocity in December. Such a piece of news was scarcely calculated to interest a world the greater portion of whose inhabitants were unaware of the existence of the planet Neptune, nor outside the astronomical profession did the subsequent discovery of a faint remote speck of light in the region of the perturbed planet cause any very great excitement.

It was on the first day of the new year that the announcement was made, almost simultaneously from three observatories, that the motion of the planet Neptune, the outermost of all the planets that wheel about the sun, had become very erratic. Ogilvy had already called attention to a suspected retardation in its velocity in December. Such a piece of news was scarcely calculated to interest a world the greater portion of whose inhabitants were unaware of the existence of the planet Neptune, nor outside the astronomical profession did the subsequent discovery of a faint remote speck of light in the region of the perturbed planet cause any very great excitement.

David Herbert Lawrence (11 September 1885 - 2 March 1930) was an important and controversial English writer of the 20th century, whose prolific and diverse output included novels, short stories, poems, plays, essays, travel books, paintings, translations, literary criticism and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, sexuality, and instinctive behaviour. Lawrence's unsettling opinions earned him many enemies and he endured hardships, official persecution, censorship and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. He is now generally valued as a visionary thinker and a significant representative of modernism in English literature, although some feminists object to the attitudes toward women and sexuality found in his works.Lawrence only became really famous after his death. His reputation lapsed in the 1930s: he had written too unconventionally and made too many enemies. By the 1960s he was widely seen as one of the great novelists of the twentieth century. By the 1990s his reputation was again in decline; neither a modernist revolutionary like Joyce, nor – like Virginia Woolf – reacting as a woman against the social and literary world which confined her, Lawrence occupied a problematic position in the writing history of the century: and he was unthinkingly branded both fascist and sexist. The republication of his work in a scholarly edition – and in particular the publication in full of the letters which are one of his greatest achievements – ensures that he will be seen differently in future. He was a writer far more concerned with the careful revision and linguistic precision of his work than his early reputation as an uneducated and unthinking genius suggested; he was ahead of his time in many of his attitudes to the individual and society; and he was a writer who explored an extraordinary range of subjects, in particular the need for a language of relationship which does not depend upon love. He was also precise about what he saw as the malign influence of Freud, and strikingly modern in his expression of man's need to be ecologically aware. He never believed in right-wing governments and hated the fascism he saw in Italy and Germany, though he always believed in human beings' need for authority; his writing certainly concentrated on female sexuality, but that was his particular (and in his period a strikingly original) focus. He was a writer who constantly struggled to find and to articulate the experience, not of a body or mind or spirit, but of the whole person. This was what he wrote about most tellingly, and what he himself insisted on remaining, to the end of his life.

Banished from England for seeking to marry against his father's wishes, Ivanhoe joins Richard the Lion Heart on a crusade in the Holy Land. On his return, his passionate desire is to be reunited with the beautiful but forbidden lady Rowena, but he soon finds himself playing a more dangerous game as he is drawn into a bitter power struggle between the noble King Richard and his evil and scheming brother John. The first of Scott's novels to address a purely English subject, Ivanhoe is set in a highly romanticized medieval world of tournaments and sieges, chivalry and adventure where dispossessed Saxons are pitted against their Norman overlords, and where the historical and fictional seamlessly merge.About the Shaf Digital Library: For over 2 years Shaf Digital Library has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Shaf Digital Library's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The story recounts the tragic love of Edgar, Master of Ravenswood, and Lucy Ashton, the daughter of Ravenswood's enemy, Sir William Ashton. Sir William's wife, Lady Ashton, is the villain and evil perpetrator of the whole intrigue, haughty and manipulative in her objective to cancel the initial happy engagement between Edgar and Lucy and forcing the latter to a speedily arranged marriage with the Laird of Bucklaw. In the climax, when the intrigue takes its full course and the wedding celebrations have been held, Lucy stabs the bridegroom, severely wounding him, and descends quickly into insanity and dies. In the story, Caleb Balderstone, an eccentric old Ravenswood family retainer, provides some comic relief.

Michael Henchard, an unemployed hay-trusser "of fine figure, swarthy and stern in aspect," his wife Susan, and their little child Elizabeth-Jane are wearily approaching the Wessex village of Weydon-Priors at the end of a late-summer day in the year 1826. When she looks at the child, Susan is pretty, but her face often has "the hard, half-apathetic expression" of one who expects the worst. They learn from a passer-by that there is no employment in the village. A fair is still in progress, and once the trio has arrived Michael attempts to enter a refreshment tent which advertises "Good Home-brewed Beer, Ale, and Cyder." However, Susan persuades him to enter the booth where "furmity" is sold, since the food is nourishing even if repulsive in appearance.In the tent Michael pays the furmity woman, "a haggish creature of about fifty," to spike his basin of furmity with large dosages of rum. He quickly finishes a number of well-laced portions and, in a "quarrelsome" mood, begins to bewail the fact that he has ruined his life by marrying too young.As the liquor takes hold, Michael offers his young wife for sale to the highest bidder. Susan, who has experienced his outrageous displays before, swears that if Michael persists, she will take the child and go with the highest bidder. She ignores the advice of "a buxom staylace dealer" and stands up for the bidding. Michael continues the bidding with renewed vigor and raises the price to five guineas for wife and child. The staylace dealer rebukes him to no effect. Before long, a sailor offers to meet Michael's terms. With the appearance of "real cash the jovial frivolity of the scene departed," and the crowd of listeners "waited with parting lips." Michael accepts the sailor's offer, pocketing the money with an air of finality. Susan and Elizabeth-Jane leave with the sailor, but before they depart she turns to Michael and, sobbing bitterly, flings her wedding ring in his face. The staylace vendor says: "I glory in the woman's sperrit." The shocked spectators — who until now had thought it all a joke — quickly depart, leaving Michael to his own conscience. Within a few moments he falls into a drunken slumber. The furmity woman closes up shop, and Michael is left in the dark, snoring loudly.

Ranked among the classic novels of the English language and the inspiration for several unforgettable movies, this early work of H. G. Wells was greeted in 1896 by howls of protest from reviewers, who found it horrifying and blasphemous. They wanted to know more about the wondrous possibilities of science shown in his first book, The Time Machine, not its potential for misuse and terror. In The Island of Dr. Moreau a shipwrecked gentleman named Edward Prendick, stranded on a Pacific island lorded over by the notorious Dr. Moreau, confronts dark secrets, strange creatures, and a reason to run for his life. While this riveting tale was intended to be a commentary on evolution, divine creation, and the tension between human nature and culture, modern readers familiar with genetic engineering will marvel at Wells’s prediction of the ethical issues raised by producing “smarter” human beings or bringing back extinct species. These levels of interpretation add a richness to Prendick’s adventures on Dr. Moreau’s island of lost souls without distracting from what is still a rip-roaring good read.